LAWRENCE, Kan. – The Winter Olympics can’t come soon enough for NBC. Until then, there’s little the network can do to stop their talk show hosts from taking nightly jabs at their apparent late night ineptitude. Meanwhile, Conan O’Brien has finally broken his off-air silence, rejecting the proposed move to 12:05 a.m. ET in a statement released today:
LAWRENCE, Kan. – Who knew it would take over 15 years for the chinks in NBC’s late night armor to show? Indeed, what goes around seems to be coming around for the network that once branded itself “America’s Late Night Leader.”
It’s becoming clear that the decisions NBC made in 1991 set the stage for the giant mess currently waiting at its doorstep.
LAWRENCE, Kan. – Rumors began swirling today about the future of NBC late night. With an end to the 10 p.m. (9 p.m. CT) Jay Leno Show imminent, many people are wondering what will happen to new Tonight Show host Conan O’Brien.
It has been said many times over that those who do not learn from history are doomed to repeat it. Such is true of NBC.
The network that passed over David Letterman as Johnny Carson’s successor for The Tonight Show in the early 1990s seems to have made a similar gaffe with Leno and O’Brien. Like former NBC Entertainment executive Warren Littlefield – made infamous by Bill Carter’s book The Late Shift and a subsequent HBO movie of the same name, current entertainment chief Jeff Gaspin offered the 11:30 time slot to a seemingly hot commodity, O’Brien, in order to prevent losing him to a rival network.
LAWRENCE, Kan. – I am a die-hard Saturday Night Live fan and have been since I was in elementary school. (Too bad my classmates didn’t always appreciate my not-ready-for-prime-time sense of humor.) But for as much as I love the show, I have often been as critical of the show as any outsider with better than cursory knowledge of the inner workings of the show.
The show is currently in a sort of transition, with new writers coming and going and talent cycling through like college athletes. Even so, SNL has recently shown the sort of signs of life that illustrate just how close it is to striking yet another memorable balance in both its on and off air ensemble. And that’s just the purely content-driven side of the show.
O’FALLON, Mo. – Where do I begin? There’s been a lot of interesting television in the last week, and some other intriguing item looking forward.
Late Night
Saturday Night Live delivered one of its best episodes in recent memory. And I have a pretty good memory, particularly with regard to SNL. Beginning with a well-executed cold open and perhaps the most physically demanding monologue since Bill Murray scaled the “Homebase” set 10 seasons ago, Joseph Gordon-Levitt proved himself a more-than-formidable host. Musical guests Dave Matthews Band made yet another appearance on the show. DMB is the only musical act I can think of who’s performances have now spanned the three longest-tenured directors in SNL’s history – the late Dave Wilson (with host Courteney Cox in 1994), multiple appearances with director Beth McCarthy Miller, and now Don Roy King. I have no doubt I’m the only person who really cares.
LAWRENCE, Kan. – This evening Jay Leno finishes his 17-year tenure at The Tonight Show, and it’s hard not to think of the events that have transpired since or those leading up to him getting the job. Either way, I certainly won’t be losing sleep over what to do now that Conan O’Brien is taking over. It’s simple: I’ll watch David Letterman.
Sure, I’ve been a fan of the Late Show since I was in 5th grade. For a while I loved the show for reasons I couldn’t even articulate at the time. But there was definitely something. After attending a taping in 2007, I finally figured it out. Letterman and his staff are simply smarter than the folks on the other coast.
LAWRENCE, Kan. – With every episode of the current season of Saturday Night Live, it seems as if the show’s production crew has lost its touch.
Part of the problem is Don Roy King, the show’s new director. His qualifications were suspect in the first place, and as each week passes, it has become clear that he has no business directing the long-running variety show. His direction of SNL’s comedy sketches has been subpar at best, and he has done a horrendous job cutting the music performances. But King isn’t the only one to blame.
The show’s producer Steve Higgins has somehow managed to keep his job amid the program’s plummetting ratings, and the timing of this season’s shows has been some of the worst in recent memory. For two straight weeks, there have been issues with how much time is left at the end of the show. The final sketch of last week’s episode hosted by Annette Bening had to be prematurely cut off because the show was going too long. For this week’s show hosted by Justin Timberlake, there wasn’t even enough time for a sketch in the last segment of the show. Instead, the SNL band played on camera before the final commercial break.
LAWRENCE, Kan. — Saturday Night Live may have suffered one of the biggest losses in the show’s 32-year history. The show returned last weekend without director Beth McCarthy Miller calling the shots, for the first time in 11 years. Reports from USA Today and Variety have been unclear about who made the decision to end McCarthy Miller’s reign as director, and it’s even more baffling how Don Roy King was chosen as her replacement.
McCarthy Miller came to SNL after rising to the rank of senior director at MTV before leaving to direct The Jon Stewart Show, whose short lifespan perfectly coincided with the late Dave Wilson’s retirement from SNL. Wilson’s departure, however, appeared to have been far more premeditated as a live shot in the control room showed him salute at the close of the 1994-95 season finale. McCarthy Miller had no such curtain call.
LAWRENCE, Kan. — Two months have passed since my hectic schedule last allowed me an opportunity to vent. I’ve seen a lot of television in these eight weeks, so here’s what I’ve concluded:
The first year back to multi-network coverage of the Triple Crown was disappointing at best. NBC’s telecasts at Churchill Downs and Pimlico Race Course were almost entirely comprised of cuts (rather than dissolves or other effects) that were exceedingly jarring, and director David Michaels seemed to be cutting out of sync with the field. His cutting during The Preakness Stakes, when jockey Edgar Prado was forced to pull up heavy favorite Barbaro, at least provided a silver lining in the cloud over the first two races. ABC/ESPN’s coverage of The Belmont Stakes, however, had no such upside. As The New York Times’ Richard Sandomir pointed out in his June 13th column, “an inferior ESPN production showed how unprepared it was to carry a Triple Crown race.” Indeed, there was nothing positive to be taken from the broadcast except for the hope that it can’t possibly get any worse next year.
LAWRENCE, Kan. – I’m back at KU for the spring semester, introducing a new look to the site, to me and to Jayhawk Sports Talk. While specifics of the coming season at KUJH are still pending, I will share my recommendations for the weekend programs you shouldn’t miss:
LAWRENCE, Kan. – Late Show with David Letterman: Led by the premiere host in late-night television, the Late Show did a superb job last Wednesday when actor Russell Crowe appeared on the show after his arrest last week for throwing a telephone at a New York hotel worker. If Johnny Carson is the eternal King of Late Night, then David Letterman is its Crowned Prince. Letterman is by far the best interviewer of all late-night talk show hosts, and his star shone bright when he appropriately conducted a compassionate, serious interview, infused with a perfect amount of humor. Regardless of ratings, Late Show with David Letterman is qualitatively far superior to any of its competition. Even technical-director-turned-director Jerry Foley, who is often lacking in his ability to direct a music performance, rose to the occasion with a commendable job on Paul Anka’s jazzed up rendition of Nirvana’s “Smells Like Teen Spirit.”
ROSWELL, Ga. – SNL wrapped up its 30th season with an unfortunate performance by both the on and off-air crew. The writing continued to lag, as writing supervisor Paula Pell ended her time at the show. One careless tech mistake in a UPN parody and questionable staging for Coldplay ended the show’s third decade in disappointing fashion. Despite NBC’s stellar coverage of the triumphant display by Afleet Alex in the 130th running of The Preakness Stakes, led by producer David Michaels and director John Gonzalez, at Maryland’s Pimlico Race Course, the SNL finale fell short of an otherwise superb day for the network. Whether producer Steve Higgins is where the change must be made is for the show’s creator and executive producer Lorne Michaels to decide. Since the departure of Tim Herlihy in the late-1990s, Higgins has been at the helm with director Beth McCarthy Miller. McCarthy Miller, who dodged the bullet of being the director behind the disastrous Super Bowl XXXVIII halftime show, has remained in good standing at SNL although she was passed over by alma mater MTV for the 2004 Video Music Awards. She deserves to remain in her position on the show, but better musical guests need to be booked throughout the season in order to ensure that she has good material to work with. Furthermore, tech errors must be addressed before the show converts to high definition in coming years.
ROSWELL, Ga. – After Johnny Knoxville hosted one of the funniest episodes of Saturday Night Live all season, and possibly one of the funniest in the last few years, Will Ferrell returned last Saturday to host one of the worst SNLs I have ever seen. Aside from the “Cold Open” and “Celebrity Jeopardy!” the show got worse by the minute.
To add to the problems, SNL has been technically unsound for many of the past few episodes, a fact that is inexcusable. I have had many experiences with remote sports productions that have gone smoothly despite being in a new location every week, facing new challenges in each venue and juggling issues arising from producing TV for both standard and high definition. A show like SNL that is shot in a studio with its own control room in standard definition has no reason to be experiencing tech problems on a regular basis. Many of these errors have been made by operators rather than equipment. The show hosted by Tom Brady had several graphics that were put on screen at the wrong time; the Cameron Diaz-hosted episode was horribly flawed with misplaced or poorly-timed visual effects (like the pixelated blur made famous by “COPS”); and the Ferrell show most notably featured a cut to something other than a camera (still not sure what it was) during one of the sketches.